A New Blogging Policy

Earlier this year I completed 52 weeks of blogging At the Quill as part of a year-long blogging challenge (#Blogg52). It was a good exercise and a good discipline, and I have transferred the effort to my new blog about travel, Stops and Stories. However, although it is possible – just about – to blog once a week without much forward planning, there is always the stress of trying to find a topic and writing about it in time and the results are not always satisfactory. Clearly I need to be better organised.

Now, one of my fellow Blogg52-ers, Anna Hellqvist, is using her blog to present aspects of good practice for other bloggers. She has written some very good articles over the weeks. I don’t always agree with her as I feel her perspective on blogging is rather skewed towards the commercial, and for me that tends to devalue what she writes. Also, as someone who has been blogging on and off for about 14 years I have a residual feeling that I know it all – even though I patently do not.

I know that I don’t know it all not only because I get into such a sweat when I haven’t planned ahead, not only because I am disappointed more often than satisfied with the blog entries that I write, but also because a number of Anna’s tips have been valuable reminders of things I’d forgotten. And occasionally she has taught me things that were quite new to me.

So, I decided to swallow my pride and smother my resistance to being told what to do and try to follow some of her advice. My hope is that it will help me blog more frequently, both here and on Stops and Stories, and perhaps improve the consistency of my blog entries.

To begin with I have been looking at Anna’s blog entries for Blogg52 from June this year. As Anna’s blog is in Swedish (Blogg52 is a Swedish challenge and at present I’m the only person following it who’s writing in English), I thought I could give a summary of the steps I’ve taken so far to organise myself better. Below is my plan for Stops and Stories.

I can say that while most of the points in the plan come from Anna’s suggestions I have added one or two of my own.

Depending on how successfully I can follow the plan for the next couple of months I may post an adaptation of this on the Stops and Stories website. Just at the moment though, because Stops and Stories is about travel while At the Quill is about writing, it seems appropriate to discuss this here rather than there. If you’re interested, I’ll be revisiting this in future articles here At the Quill.

What is the purpose of Stops and Stories?

  • A record of my travels now I am based in Brussels.
  • An exploration and expansion of my ability to write about travel.
  • Foundations for (a) future travel book(s).
  • A cross-platform link with Facebook, Twitter, Soundcloud, (Freesound), (YouTube), TripAdvisor, (GoodReads), Ello…
  • Development of a network of readers (and listeners).
  • An archive that future readers will be able to explore.

Who is your target audience? Who are you writing for?

  • Myself and…
  • Literate adult readers interested in travel who either travel themselves or are armchair travellers.
  • Literate adult readers interested in travel writing – in (fictional/semi-fictional) stories about, and (“true”) accounts of, travels both contemporary and historical.

Who is your inspiration?
Patrick Leigh Fermor (http://patrickleighfermor.org/)
Jonathan Raban (http://jonathanraban.com/)

(I expect to be extending this list.)

What are your goals?

  • To write an illustrated text – if possible including a sound recording of the same – once a week for at least a year.
  • To attract readers and returning readers/listeners. The initial target is to build up from the handful each week who read my texts at present to 100+/week.
  • To enter into a conversation with readers/listeners either in the comments section of the blog or on social media.

What are you going to write about?

  • Places visited
  • Stories heard and overheard
  • writing (reviews)
  • The urban and rural landscapes
  • Seascapes
  • Soundscapes
  • Scents and smells
  • Photography
  • Modes of transport
  • Maps and guidebooks
  • Art and architecture
  • Food and drink
  • History and future visions
  • Museums and exhibitions
  • Events and celebrations
  • Action and adventure
  • Poetry and literature related to travel
  • Memory and memoires
  • Philosophy and meditation
  • Humour

How often and when will you publish?

  • I aim to publish at least one article a least once a week, hopefully including a sound recording published on Soundcloud.
  • The day of publication will be Wednesday.

In order to publish on Wednesday I need to organise myself as follows:

  • On Thursday or Friday brainstorm articles for Stops and Stories – choose one or two. (By choosing a couple of articles each week I hope to build up a bank of articles so that, as time goes by, the process I’m describing here will not be quite so hand to mouth.)
  • Over the weekend carry out research for the articles, take photos, record ambient sound and make notes.
  • On Monday choose one article for publication.
  • On Tuesday draft the article.
  • On Wednesday, edit the article, illustrate it, record it, publish it.
  • If it wasn’t possible on Wednesday, on Thursday publish the recording on Soundcloud.
  • Begin again

Her hidden face

Recent book covers from Amazon UK
Recent book covers from Amazon UK
One of the things I learnt from Writing Historical Fiction, the book I reviewed in my last article, was that there is a puzzling – not to say disturbing – visual cliche on the cover of a surprisingly large number of books of historical fiction which have a woman as protagonist. Celia Brayfield writes about what she calls “the headless woman” phenomenon on pages 50 through 53 of the book. It’s not just that women’s heads are lopped off, they can also be hidden, turned away or blacked out. It’s difficult to know what goes through the heads of publisher’s art directors when they make this choice. Brayfield uses this as one illustration of “the tensions that an author has to resolve when creating a female protagonist in a historical novel”. To be honest, I’m not entirely sure what she means – not that I misunderstand her words, but I don’t understand how the headless women illustrates what she wants to say.

My gut interpretation is that publishers’ art directors assume that these books will most appeal to women, that they assume women read historical fiction to vicariously experience life in another time, and that if the face of the heroine is unidentifiable it makes it easier for the reader to identify herself as the heroine. I’m not saying I believe this to be the truth myself, but it’s the only interpretation I can find that seems to make sense. Because it is absolutely true that an astonishing number of novels of historical fiction with female protagonists are illustrated on their front covers by women whose faces are invisible.

The five book covers I’m using to illustrate this article were taken from the first few pages of Amazon UK’s current historical fiction lists. I picked the ones that seemed more or less “Tudor” but I could have included others from earlier and later historical epochs. Not all books with female protagonists set in historical contexts are illustrated like this, and there are a few (a very few) books where a male protagonist is similarly illustrated, but the broad tendency is very obvious.

What this cliche illustrates unintentionally (and I think this may be what Celia Brayfield is getting at too) is the way that women’s lives and experiences have for centuries been ignored – hidden – in history books. When I first came across Elin’s story, which forms the core of the novel I am myself attempting to write, I was astounded that I had never heard of it before. A young woman travels from Sweden to England in the 1560s, becomes a Lady in Waiting at the court of Queen Elizabeth I, marries the Queen’s step-uncle and ends up as the senior English female aristocrat and mourner at Elizabeth’s funeral in 1603. When I looked in the sources, I found her, but as I had studied Tudor history at school and at university I couldn’t understand why I was learning about this only for the first time. More than anything else, discovering Elin’s story made real for me the criticisms feminist historians have been making for years about the way in which history has been distorted by male historians.

It also illustrated what I had been teaching in my periods as a history teacher: that the history we know is the story that was told to us; that everybody – even the most well-intentioned and scrupulously balanced historian – is prejudiced in some degree and allows their prejudice to influence the story they tell; that everybody ought to be wary of prejudice – of the prejudice others and of their own prejudices; that there is so much more in the source material; and that every generation comes to the same material with new questions, new perspectives and new interpretations, and comes away with new stories.

And you can – should – apply this thinking to stories in the news and the tales you are told by people around you as much as to stories from history.

Not sure how much of that came across – here, now, or to my students back then – but I live in hope.

Hide her face

This article was written for the #Blogg52 challenge.

What We Have Learned

The illustration for the top of my FundedByMe campaign site
The illustration for the top of my FundedByMe campaign site
My crowd funding campaign for My Gothenburg Days has nine days left to run. Nine of 45. When I started had no idea how far it would get, but I had hopes. With nine days left I no longer expect even to come close to my target. At the time of writing the site records 12 backers – of whom I and my wife are two – and the project is just 4% funded. My dedicated Facebook page has 50 followers, and I assume that some of them at least would like to buy a copy of the book if it’s published – when it’s published – but that’s still not enough.

Driving a campaign to attract support as I have done turned out to be very much more difficult and time-consuming than I expected. I know now I started out far too optimistically. The bulk of my support on the crowd funding website I attracted during the four days of the Gothenburg Book Fair at the very beginning of the campaign. However, even had I continued at the same intensity for the whole of the 45 days, attracting 1% support per day would still not have got me even half of the sponsorship that I needed. I saw this on day three.

A second problem, that I realised after the campaign had launched, was this: while crowd funding is a phenomenon in my world, most people in the wider world have never even heard of it. If they’ve heard the term, many still don’t know what “crowd funding” means. So my campaign to promote my book turned out to be a campaign also to educate people about crowd funding, and to promote crowd funding as a concept. It also turned out that I was working to promote the Funded By Me (FBM) crowd funding website I’m using.

Many of the people who’ve expressed an interest in my book have actually shied away from funding me through FBM. I thought using a crowd funding website would make things easier because I knew sponsors were guaranteed to get their money back if the campaign failed, but this is clearly not something that has weighed much with many of my potential sponsors. On the contrary, some seem actively to dislike the idea of an Internet middleman.

Perhaps the sort of people who might be interested in my book just aren’t computer savvy? Perhaps they are Internet wary?

I think part of the problem may be that you can’t just sponsor my campaign – any campaign. First you must open an account with Funded By Me. This has proved a stumbling block.

It turns out FBM is less user-friendly than I’d hoped. I’ve had both e-mail exchanges and telephone conversations with people who have tried and failed to open accounts with them. I don’t know where the problem lies since I haven’t sat with my contacts to watch them as they try to set up their accounts, but these aren’t stupid people so I must assume that the website is at fault.

I’m all the more inclined to believe the website is faulty because I’ve also had problems with them, though of a different nature. A few days after my campaign went live I noticed that the website was no longer displaying my target sum or any of the sponsorship levels in Swedish kronor, but was converting them into euros, and not rounded sums but fractions along the lines of “€19.37”. Most of my potential sponsors are Swedes, and Sweden doesn’t use the euro, so I guessed this would also put people off.

I got in touch with FundedByMe and after a series of e-mail exchanges (getting a response from them felt at times like pulling teeth), after a series of exchanges I learned that the company had decided – without notice and just after my campaign went live – to make euros the default currency for the site. According to FBM, however, the currency displayed should be the national currency of the country where any given user is at the time they access the site. Since I could clearly see that in Gothenburg the currency was being displayed in euros, FBM admitted there was a bug in the system that had “selected” me to mess with. “Selected” was their word.

I really wasn’t sure how to take this. Bugs don’t select, they behave randomly, but I was seeing this problem regardless of how I connected to the system, whether I used a computer, a surfpad or a smartphone, or where in Gothenburg I connected from. Eventually FBM promised to look into it, and now it seems to work properly, but they never got back to me either to confirm that they’d fixed things or to apologise.

A good deal of the time I spent chasing FBM was time I could have spent promoting my campaign, so that also slowed things down somewhat. It took a great deal of the wind out of my sails too. When I had time to promote the campaign I found myself resenting that I needed to promote FBM as well. Not a helpful reaction, but human I think.

Really, I can’t blame Funded By Me for the failure of the campaign. I was not sufficiently well prepared and my target was too ambitious. I ought to have set the campaign up differently. I ought not to have used a website that imposed such a limited campaigning period.

We live and learn.

But fear not, I am now cooking up Plan B!

This article was written for the #Blogg52 challenge.

Gone live!

Flier with TinyURL and QR code
My original plan for this week was to write about the very interesting and enjoyable interview that I had last Friday with Michelle Thomas in the cafe at Crystal Palace railway station in south London. Michelle is four or five months into a crowd funding campaign to publish her book I Will Pay You 1 Pound for Your Story. However, my own crowd funding campaign just went live and – more to the point – I’ve been working with it almost without a break since getting back from England. For this reason I’m holding Michelle’s interview over to a time when I hope I’ll be able to do it more justice.

I was sitting on the edge of my seat with my laptop revved up at 8 o’clock this morning. That was when the campaign site for My Gothenburg Days/Dagar i mitt Göteborg went live. Up until that moment I did not know whether it would work or what it would look like exactly. Most importantly, I did not know whether the TinyUrl and QR code that I had made would work, even though I’d printed them on 500 flyers.

I made the TinyURL and QR code because the actual URL that the website gave me was this:
Which I think you’ll agree is a bit on the long side.

Before the website went live there was no way to test them.
I’m pleased to say – they DO work! (Try them yourself.)


The crowd funding website that I have ended up going with is FundedByMe. I can say that I’ve had very good advice and help from a number of different people that I’ve been in touch with there. On the other hand, I haven’t found their instructions or their website for creating the campaign 100% user-friendly. It is my impression that they would prefer to run campaigns that are equity or loan based and I think they see themselves as an international player in competition with Kickstarter.

Unlike Kickstarter, FundedByMe has no category for Publications so my book campaign is categorised as “Other”. If you look back and read earlier blog posts you’ll see that I chose FundedByMe because it seemed the most professional crowd funding website in Sweden, but I did look seriously at Kickstarter and only rejected that website because as a resident of Sweden I could not run a campaign through them. However Kickstarter is now accepting campaigns from Swedish residents. (Am I starting to kick myself? I think it’s a legitimate question.)

My next campaign (!) may very well be a Kickstarter campaign. Although, who knows. If I manage to raise the money I need for my photo book with FundedByMe perhaps loyalty will keep me on their site.

Meanwhile we are in the run-up to Gothenburg’s Book Fair which opens tomorrow morning (Thursday, 25 September). This afternoon I have to get down to Svenska Mässan to help out with the Egenutgivarna’s stall (A03:50 if you are attending and want to visit). I have to make sure that my flyers – the ones with the QR codes – are stuffed into the advertising folder that we’ll be giving out, I have to make sure that the cover of my book is visible somewhere on the stall, I have to learn how to use the iZettle credit card payment system we have, and I have to try on the T-shirt that I must wear when I am acting as “crew” on the stall.

“How big a T-shirt do you think you’ll need,” they asked.

“Well, I can get into extra large T-shirts – better make it a double extra large,” I said. Now I’m wondering whether double extra large was really large enough. Maybe I should have gone for triple extra large. Too much beer and fish and chips when I was in the UK. On the other hand, I did walk around a lot. Maybe I’m no bigger now than I was before. (And, let’s face it, that’s pretty big.)

At least I know the shirt fits that I’m wearing this evening to go to the Book Fair Press Night. (Though I’d better try it on just to be sure.)

Enough from me now. Till next week, cheerio!

This article was written for the #Blogg52 challenge.

Adventures in Crowd Funding

I sat up till after midnight on Friday sketching out a front cover for another putative book. This is one I’ve only been thinking about for a couple or three weeks. (A tip of the hat to my fellow #Blogg52-er Eva Ullerud.) But Adventures in Crowd Funding seems like a good idea.

Adventures in Crowd Fundingfront cover essay
Adventures in Crowd Funding front cover essay

At the moment it seems like a good idea.

(In three months, I’m sure I’ll be wondering whatever possessed me to start a second self-publishing project while still working on my first.)

The logic is this. In the process of crowd funding My Gothenburg Days/Dagar I mitt Göteborg I am learning a great deal about crowd funding and the campaigning that goes with it. I am, in effect, marketing my book before it has been printed and published. Quite a lot of people have expressed an interest in knowing more about what I’m doing and how I’m doing it. There doesn’t seem to be a road-map (though having said that, I’m now expecting people to bombard me with titles of other books on the subject). Howsomever, this is my journey and my adventure and it doesn’t seem unreasonable to document it.

I’m now going to be launching the campaign to fund My Gothenburg Days at the Gothenburg Book Fair. I’m going to be displaying my wares at the stall run by Egenutgivarna, the Swedish Indie Authors’ Association. For this occasion, I was preparing a text about myself and My Gothenburg Days to be included in a brochure and to loop as two slides in a longer slideshow on screen at their stand. No matter how I worked on it, I couldn’t cut down sufficiently the number of words I felt I needed. Then I realised I was trying to say something both about the projected photo book and about the crowd funding process.

The solution, I decided was to include a third slide, but that would mean a second book. Thus was Adventures in Crowd Funding born. I’m not quite sure what it will have in it yet, but I’m thinking a combination of little stories about what I’m doing and discovering (hopefully amusing) and some useful checklists and “things to think about”. (That is to say – things I wish I’d thought about for longer than I did before I got myself into this.) Perhaps also some interviews. I’m thinking to make it only as an e-book – and at the moment I think it’ll only be in English. Because trying to write in Swedish would guarantee 1) that it never gets written or 2) that – if written – it never gets read.

Ah! Swedish, my Achilles heel!

My short Swedish language texts for the Egenutgivarna’s brochure and slideshow have been passed by my Swedish editor (as in these contexts I call my wife). The first version, produced with the help of Herr Google, caused her first to hide her face in her hands and then to slowly lower her head onto the kitchen table where it lay for a while cradled in her palms. It wasn’t quite the reaction I’d been hoping for.

The new version has been passed as “still a bit odd, but it’ll do”.

Once I’d got the text the next thing was to find a picture to stand in for a front cover. A slide with just text is a guaranteed turnoff. Almost any picture is better than none, but of course a picture that is actually relevant to the text is even better. (A picture that conveys everything in the text in an impactful and memorable way is best of all – but I am trying teach the perfectionist in me to cultivate an acceptance of the good-enough.)

I tried three times, and the result (which you find illustrating this blog entry) is the best I could come up with. It’s not perfect, but there’s a crowd (of sorts), there’s money (kind of), and the title and author text has a (more or less) effective contrast with the background. Good enough – for a late night effort anyway.

So, after last week’s dip, here I am sitting back up and feeling hopeful again. (Do you think I’m going to keep it up?)

This article was written for the #Blogg52 challenge.

Video tips

No matter how much time you spend with pen and paper or keyboard and screen, the time will come sooner or later when you will have to make a video. It may seem highly improbable now, it may even seem ludicrous, but I promise you the time will come. For me it came last weekend when I still thought I had an imminent deadline for the start of my crowd funding campaign.

The author on Ramberget with a part of Gothenburg behind. From what turned out to be my silent movie.
The author on Ramberget with a part of Gothenburg behind. From what turned out to be my silent movie.
Here are some things to think about in preparation for your video, gleaned from my experience.

First of all, don’t think you can do it on your own. This is what you will be carrying:

  • your camera (which may be a video camera or, as in my case, a regular digital camera that also films in HD);
  • a tripod for the camera to stand on (unless you’re going for the dogme/selfie effect);
  • your script, printed in very large letters so that you can read it at a distance despite your lack of 2020 vision;
  • a plastic bag full of sundry items including a large wad of kitchen paper with which to wipe the “shine” off your face (“shine” is what we TV personalities euphemistically call sweat).

Believe me, an assistant is essential.

Secondly, remember that the picture in the camera lens is not the picture that you see with your eye. All those clichés about demon film producers wondering around with their hands up in front of their faces and their fingers framing the shot – they’re clichés for a reason. After you’ve seen the first take of your video, you’ll be doing it too. You’ll need to find a place which gives the camera something to look at besides your talking face. Something to bear in mind is the rule of thirds – you should occupy only about a third of the screen. If you let your face fill the whole of the screen, you will give your audience the impression that you are a ranting obsessive with shifty eyes and (because this is in HD) a really bad complexion.

Stepping back from the camera reduces all of that, but it does put you further away from the camera’s built-in microphone. (Because you don’t own a camera with a line-in jack for an external microphone, and even if you do you probably don’t own an external radio mike with a neat little clip that lets you fix it to your front. Even if you do own one of those, you probably forgot to charge the battery.) So here’s another tip, don’t waste your time recording if there is a wind blowing. It doesn’t need to be much of a wind, just a slight breeze and your words will be blown away and never picked up. I have about an hour of really nice film with almost no sound. But at least it was a good rehearsal.

Of course, if you are little clever you will have taken with you your dictaphone or mobile telephone, which you will hold down around your midriff just off-screen. With this you can record your speech, shielding that microphone from the worst of the wind with your petit (or in my case ample) frame, and hope to match up recorded speech with your lip movements in the computer when you are preparing your video.

Your assistant now comes into her own as she can hold your script in front of the camera and just below the lens in such a way that you can read what you are supposed to say without looking far from the camera lens. Yes, your eyes will shift, but not so much and not so noticeably. Also you can always make several takes of the same speech and later use the one in which you look least untrustworthy.

If you are doing this bilingually your assistant’s language skills will be invaluable as she will be able to tell you where you are mispronouncing your speech and get you to repeat it. Again. And again. And again. In this respect I can say that there is a distinct period when your efforts will improve followed by a tailing off period when your efforts will become worse and worse and finally incomprehensible. It’s a good idea to be able to spot when you’ve peaked and not go on down into the trough on the other side because beyond that lies argument and recrimination and your assistant walking off a huff.

This didn’t happen on Saturday I hasten to add – I’m just giving truth space.

Then – when you’ve done all that, and you’ve got your film and recording back home and transferred to your computer – then comes the exciting moment when you realise that the expensive video editing software you bought is not compatible with the video film format for your camera. Scream, curse, do whatever you need to do, but don’t despair. Go out on the Internet and search – the chances are you’ll find something that will work for you, which you can use free for a 30 day trial period. In this context I’d like to give two thumbs up for software called Camtasia Studio 8 (and a thumbs down for Adobe Premier Pro CS4).

Well, there you have it. Now – according to my Search Engine Optimisation programme – all I have to do is call this “7 Steps to a Great Promo Video” and I can expect to attract multiple hits from eager Googlers. Yeah, right.

Good luck with your video – or you could pay a professional to do it properly!

The author on Ramberget with a part of Gothenburg behind. From what turned out to be my silent movie.
The author on Ramberget with a part of Gothenburg behind. From what turned out to be my silent movie.

This article was written for the #Blogg52 challenge.

Websites, videos, printers and planning

Well, it’s been quite a week, and here I am once more on a Wednesday morning with a blog entry to write.

At the end of last week I started to prepare my campaign on FundedByMe and to learn how to use their website software. It’s not quite as intuitive and user-friendly as it ought to be, but I’m getting the hang of it now. (I’m wondering if perhaps I should not make a video guide for other would-be crowd fund seekers. But that will be a later project.)

The illustration for the top of my FundedByMe campaign site
The illustration for the top of my FundedByMe campaign site
I also set up a dedicated Facebook page as a place to post information about the campaign and perhaps gather a circle of interested supporters in advance of the launch. At the time of writing it has collected about 25 “likes” and with this blog entry I’ll be spreading news about it also to the #Blogg52 crowd and to my fellow members of Egenutgivarna. I think it will be nice to have reached 100 likes by the time the campaign launches.

I’ve been revisiting the book-jacket also, as you’ll see from the illustrations here this week. The previous effort (see here) seemed too abstract, although it was a wall in the centre of town. The picture illustrating this page is one that I took out on Hönö in July. It was the most popular photo in July, being recommended on the GBG365 website by six different people. I like it because it implies a story, it includes figures and it also has two very distinct fields of colour which I can easily wrap around onto the back cover.

On the other hand someone is sure to point out that Hönö isn’t in Gothenburg. Still, it’s a popular place for Gothenburgers to visit in the summer and it’s only just outside the city limits.

I’d previously written to a few printers and got some vague replies. On Friday I sat down and wrote a better description of the book as I see it, and the campaign, and formulated a request for an offer. I sent that off at the weekend to nine different printers – four in Sweden, two in the Baltic states, and one each in England, Germany, and Slovenia. A couple boast on their websites that they will get back to with an offer within two hours.

That didn’t happen.

Swedes sometimes run their own country down by making fun of the way “Sweden closes in the summer”. Well it looks to me like Sweden isn’t the only country that closes down in the summer. So far the only printer who has come back with a clear offer is the Slovenian company. A couple of the others have written to say they’ll get back to me soon, and three more have asked me to clarify things which were already clear in my enquiry (my contact details for instance). These are obvious delaying tactics. Three of the printers – including the one in England – have yet to reply.

My current favourite book jacket essay (the front)
My current favourite book jacket essay (the front)
The crowd funding campaign calls for a promotional video. It makes sense to me – looking at the other people seeking funding on FundedByMe and Unbound I watched several promotional videos, and hopped over a couple that had none. I was also definitely more inclined to support a campaign if the video caught my attention.

Clearly the video needs to be in Swedish as well as English – but how long should it be?

I wrote myself a script in English – 780 words – which takes me just under five minutes to read aloud. Then with much effort and a great deal of help from my wife, I put the script into Swedish. The Swedish script is only about 760 words long, but it takes me about six minutes to read. Is a six minute video too long?

I fear it may be, but perhaps not if I make it visually interesting. My wife kids me that most of my photographs have a reflection in them – I think she’s kidding anyway – but I’ve been thinking that perhaps I could make the video partly by talking face to camera into a mirror while I film. That would also get past the problem that the camera has a built-in microphone and the further away I am from it the more difficult it has picking up my voice. I think Friday might be the day I film, so if you see a big, bearded guy walking around Gothenburg with a mirror and a camera – that’s me.

Say hello! (Though I’d appreciate it if you didn’t do so while I’m actually filming 🙂 )

Alongside these things I’ve also been trying to catch up with the planning and preparations for the September Book Fair that Egenutgivarna have in hand. I’m now booked to present My Gothenburg Days/Dagar I mitt Göteborg on the Friday morning of the Book Fair at Litteraturens hus. And a little more immediately Planket is just around the corner – on Saturday, 17th August – and I still haven’t prepared the photographs I’ll be showing.

It’s all very exciting!

This article was written for the #Blogg52 challenge.